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Jim C. Nedd’s practice (Colombia/Italy, 1991) weaves together music, photography, and storytelling. Much of his photographic work captures collective celebrations in the Caribbean, with images that blur the line between fiction and reality. Landscapes and figures drawn from personal memory merge with themes of identity and popular culture. Oral archives play a central role in his process, enabling him to create images rooted in stories heard or lived through collective memory.
He has exhibited at numerous international institutions, including Museion, Bolzano (IT, 2024); MACRO, Rome (IT, 2022); MAMBO, Bologna (IT, 2022); Cinemateca Digital, Bogotá (CO, 2022); Athens Biennale (GR, 2021); Liverpool Biennial (UK, 2021); Hamburger Bahnhof, Berlin (DE, 2021); Triennale Milano (IT, 2020); and Autoitalia, London (UK, 2020). His work has also been shown in galleries such as Damien & The Love Guru, Brussels (BE, 2024); Gregor Staiger, Milan and Zurich (2023); Sandy Brown, Berlin (DE, 2021, 2023); and Mishkin Gallery, New York (USA, 2020).
His images have been featured in publications such as Aperture, Flash Art, Vogue Italia, Kaleidoscope, GQ, Esquire, and Revue, and he has collaborated with fashion brands including Armani, Bottega Veneta, Gucci, and Prada. From 2015 to 2020, he was part of the editorial team of Toilet Paper, founded by Maurizio Cattelan and Pierpaolo Ferrari. Since 2019, he has worked with UNICEF, producing photographic reportages in Milan, Sicily, Beirut, and along the Syrian border. In 2023, he co-founded Black History Month Milano.
Framura, a small municipality in eastern Liguria, is a cluster of hamlets that retain the charm of times past. Nestled on steep terrain descending toward the sea, its uniqueness lies in its urban structure: Framura is in fact the collective name for five villages—Anzo, Ravecca, Setta, Costa, and Castagnola—connected by a steep staircase that climbs from the coast into the hinterland. The coastline, typical of the Ligurian Riviera, alternates between sheer cliffs and secluded coves, accessible via the Via del Mare (Sea Road), a panoramic walkway overlooking the sea that begins at the railway station near the village’s small harbor.
Climbing from the shore, one first encounters Anzo, home to a 15th-century Genoese watchtower and the neo-Gothic chapel of Nostra Signora della Neve (Chapel of Our Lady of the Snow). Next is Ravecca, with its distinctly medieval character. The municipal seat of Framura is located in Setta, also guarded by a 15th-century Genoese tower. In Costa, visitors can admire a rich artistic heritage, including a Carolingian tower with foundations dating back to the 4th century AD, and the Pieve di San Martino, built in the 10th century, which houses a Madonna del Rosario by the renowned Genoese painter Bernardo Strozzi, a master of Italian Baroque painting. The final village, Castagnola, located slightly inland, features the parish church of San Lorenzo, which holds The Deposition by Luca Cambiaso, a celebrated 16th-century painter known for his frescoes at El Escorial in Madrid.In 2024, Framura was awarded the prestigious “Bandiera Blu” (Blue Flag) certification for the 12th consecutive year.
Mireille Filippini is a Milan-based Irish-Italian creative producer and cultural strategist whose work bridges contemporary visual culture, digital media, and social narratives. With a strong interest in generational engagement and new media, she brings a multidisciplinary perspective to curatorial practice—shaped by her background in Corporate Communication and two master’s degrees in New Digital Platforms (Sole 24 ORE) and Creative & Cultural Entrepreneurship (Goldsmiths, University of London). Her curatorial and editorial work has been featured in Kaleidoscope Magazine, Flash Art, and through collaborations with Threes Productions. She has curated live experiences and interdisciplinary projects for C2C Festival, working with artists such as Lorenzo Senni, Caterina Barbieri, and Jim C. Nedd. She has contributed to artistic productions with New York-based creative Laila Gohar for Milan’s Design Week. A finalist for the Deutsche Bank Awards for Creative Entrepreneurship and co-founder of a female creative collective in Milan, Mireille is committed to fostering emerging talent and building inclusive artistic communities. Her practice is rooted in cultural storytelling, experimental formats, and cross-sector collaborations across art, fashion, and design.